Twitter: www.twitter.com/ClassicRockShow @ClassicRockShow
Facebook Group: www.facebook.com/groups/theclassicrockshow
Tonight’s show, from 7pm GMT, includes some of THE very best cuts from albums of yesteryear, still sounding as fresh as ever!
Dio, Iron Maiden, Pantera, AC/DC, Motorhead, Judas Priest, Magnum. Plus we’ve got one or two new tracks, one of which is from The Darkness, as well as your requests.
See ya later!
The Picturebooks are a blues-soaked German duo consisting of Fynn Claus Grabke (vocals/guitar) and Philipp Mirtschink (drums). Recently signed to the highly regarded LA psych/stoner imprint Riding Easy,they released their first album for the label, entitled ‘Imaginary Horse’, in late 2014 in the US and are currently on an extensive UK tour with The Answer to promote the forthcoming UK release of the record.
Recorded in the same garage where they regularly refurbish and repair motorcycles and choppers (both are enthusiastic bikers), ‘Imaginary Horse’ captures a raw, rich and real energy befitting the room’s natural reverb, industrial aura and spiritual spark. More importantly, it has begun to rev up the boys’ career.
The video for the first single from the album, ‘Your Kisses Burn Like Fire’ is a sweaty, boot-stomping affair featuring a growling Grabke, a driving backbone via Mirtschink….and some beautiful scenery. It can be seen here:
It was at Chinnery’s, Southend-On-Sea, where I managed to sit down and have a face-to-face chat with Fynn and Philipp following a 30 minute set that left those who witnessed the performance breathless, hot and sweaty.
MJ: Boys, what a tremendous show you put down for us here at Chinnery’s . I’ve gotta start with Phil firstly because it looked as though you injured your hand during that set because you were sort of shaking it and holding it and, tell us what went on there.
Phil: Ah, pretty simple, I just hit the rim of my floor tom and it hurt, so… and then it’s probably not the first time, it happens every time, you know. I’m used to it.
Phil: Thank you.
Fynn: Ya. I don’t call him a drummer, he’s a destroyer!
MJ: We were talking earlier Fynn about your start to the set, and it wasn’t the first time you tell me you broke a string. Not just one but two.
Fynn: Ya two on this, the other night I had three strings, and once… I don’t know. I, well we change the strings all the time, and they were really fresh, I don’t know what’s, something’s wrong this tour with the strings. I’ve gotta check what’s going on there. I don’t know, ya it broke I think the second chord I played.
MJ: But hey, that’s live rock and roll.
Fynn: It is, it is, you know, our saying is always a broken cable or a broken string is half of the show you know, sometimes.
MJ: Now let’s just talk a little while about your album Imaginary Horse. What is an Imaginary Horse?
Fynn: It’s a funny story. When I was a kid I had an imaginary friend, an imaginary horse called Ponpon, and that’s what the song is about. The version that’s on the album is a very short version of it. There’s a longer version, but we decided to take a little, that version a little shorter one because it just made more sense, it was much cooler to do it that way. It’s just clapping and me singing to it, and kinda get intimate, I guess that’s the right word, intimative feeling.
Fynn: Our international label is RidingEasy Records, they’re in California, Los Angeles, California. And it’s licensed to Noisolution Records in Berlin for Germany, Austria, Switzerland.
MJ: Talking of things International, I hear that you picked up an American tour through your Instagram feed?
Fynn: This happens so much lately. Our first American tour we just got through Instagram, basically, because Cedric Bixler from At The Drive-in and Mars Volta, he just liked our pictures a lot, and he became a fan of the band just through the pictures. And he contacted us, he was like just the pictures look so amazing, I wanna hear something from this band. And we send him some stuff that was unreleased, it was like… two years ago now? So he got like very early recordings of our album, and he loved it so much, and he booked us like two shows in Los Angeles, and we just went there without the right visa, and it was a big fuckup, and they tried to send us back. And it was weird, they showed us private emails, it was crazy. And after these two shows, we were booked out for two months, because they were just the right people. I think Cedric must have done something, I don’t know. And ya, it was a big success.
MJ: So Phil, where are you based, because you got German heritage obviously, but are you Europe based or are you US based?
Phil: No, we are based in Europe, ya. I’m from a small town, Gütersloh in the middle of North Rhine-Westphalia, right in the belly button of Germany. We got the British air force in our hometown. So half of our hometown is Brit. So we grew up with Brits, that’s where, you know, we got our English from.
MJ: Going back to the album Imaginary Horse, it’s got a very raw and real edge to it. How did you put that album together?
Fynn: Ya well, let’s start at the beginning. My dad has a professional studio in Gütersloh where we live. It’s in the middle of nowhere, it’s like on a farm, there’s just like a forest around it. And we always hung out there and we had a practice room next door, and a motorcycle garage where we build choppers and stuff like that. And Philipp and I wrote the whole album in there and we always loved the sound. And when we went next doors in the real studio to record it, the sound just became… ya, the whole song became clean is one word, but well but not clean as in like not distorted, but normal. And we thought we wanna hear it the way we heard it in the practice room, you know, so we tried to find how we could do this. It took us a long time of course but then we found out a technique that was in our garage, we put everything out there that we could so we get more roomy sound of it, so we cut out the carpet and stuff like that, and we put two microphones twelve feet away from us and recorded everything live, and no artificial reverb on anything, this is the real reverb that was made in that room. You know, so, that was the idea.
MJ: Was the video for ‘PCH Diamond’ shot in that same garage or was that elsewhere?
Fynn: No that wasn’t in that garage; that was in Glory Motorcycles in Los Angeles. A very good friend of ours, Justin Kell, he does all the bikes for all the movies. Funny fact, he did the bike for Indiana Jones, stuff like that, and some, he does all the bikes for Tom Cruise, stuff like that. He’s the real deal but he’s a really cool dude. He skates and stuff like that, so we know him through skateboarding.
MJ: Skateboarding, that’s a big thing with you guys.
Fynn: Ya well, I grew up with my dad being a professional skateboarder since the 80s. So we always had friends from all around the world coming to us, and me coming with them to all these places where he went to contests, stuff like that. So, I guess that’s where my American accent comes from, because we’ve always been in the States a lot. And ya that was always a good thing.
And then, when he started doing music, he was super successful doing music. He had super big bands that toured the States and all over Europe. One band was called Thumb, and the other band was called All-Stars, and he had bands back then, Eight Days, that was like in all the skate videos. So he’s always been into music. So I basically grew up in skate parks, and in a tour van. Basically in a tour bus. He always brought me on tour. And ya, and then Philipp and I met, we met in this… you go…
MJ: Over to Phil.
Phil: That like ten years ago or so we just met in our local skate park, just hanging around and whatever, skated all day, and ya. That’s our skating background I think right?
Fynn: Ya well we still do, we still skate all the time and we just try to find something to do after we’ve skated, you know? We became best friends, and then we were like what do we do now? We skated till darkness, what do we do now? So first it was like go into the pub, but then it was like getting boring at some point. And then we started getting into my attic where all the equipment that my dad still had in there, because he used to have a studio in the attic. It used to be called Cloud Scrap, or wait was it called Upstairs Studio? Because it was all up there. So there was still some equipment lying around, an old Sonor drum set, and some guitars, and that’s how it all started.
MJ: And what are the, I guess you brought your boards out over here?
MJ: So you’re having withdrawal symptoms?!
Phil: To be honest, when you’re on tour you’re always afraid of like, when you go skate are you gonna break your bone or whatever, so… don’t do that.
Fynn: Ya, the show suffered from it, you know, and that, that was like the worst case scenario because at the end of the day this is what we’re doing, you know? And skating is something that’s fun and it’s cool. That’s something I learned after being sponsored, you know? I was sponsored at one point and I lost all the fun of skateboarding because I had to be at contests and stuff like that, and I quit doing that and just do it for fun, and that’s the thing.
Phil: We don’t want to get hurt on tour.
MJ: I wanna come to the instruments that you’re using. What have you got, what’s your setup Phil on the drums?
Phil: I’ve got a Ludwig kit, with a twenty six inch kick, a bass drum, I guess ya. An eighteen inch floor tom, and I just, how do you say, rebuilt my old drum set. I used the old bass drum kit and whatever, kick drum ya. I used the old kick drum and turned it into a floor drum, the big one on the right side, it’s a twenty four inch, and I have two snares and that’s pretty much it.
Fynn: And a bell, and the bell…
Phil: And the bell, ya of course.
MJ: And any effects on that?
Phil: Ya you listened to our record right? So all the sounds you hear live are the same sounds we used in the studio, you know? It’s live recorded, and we try to, how do you say it, we try to…
Fynn: Get that sound on stage?
Phil: Get that sound on stage there, and I have that same feeling…
Fynn: Reuse, re-reuse…
Phil: We use some triggers to get the real bass from the recording in the studio, to get the real snare sound, to get the real chain, chim, chim, what is it called…percussion.
Fynn: Ya you know we, for Philipp said, all the instruments and something you hear on the album is something that Philipp and I always work out together. It’s not like it’s just him drumming, it’s not just me playing guitar, it feels like we’re both playing it. And so we built these pits, just go into the music store and buying normal, traditional tambourines and stuff like that, just bored us at one point. And it felt like, this sounds like every other shit that’s already out there. So we started building our own percussion instruments you know, because we’ve always been inspired by Native American music and all the tribal stuff, and it never sounded like something you could buy in a music store, you know? So we were really creative…
Phil: You can do that but it’s fuckin expensive to do that so…
Fynn: Ya, you can do it, it’s expensive first of all and it’s, again the easy way to do it. So we build them ourselves.
In the beginning, it was weird because it felt like cheating, and it was like it’s not the real thing but you have to hit it hard if you want to sound it big you know? The album was recorded in a motorcycle garage, and we used the actual reverb, and just recorded the entire album with two microphones. Not like everyone else would, close mic-ing it and then all these mix tricks that everyone has. Then when you wanna put it on a stage you realise a bass drum on a stage all of a sudden isn’t in a motorcycle garage anymore, so you get the typical bass drum sound, and it didn’t sound like what we had recorded. So to be able to do that we have a trigger that actually triggers the bass drum and snare sound to sound like that, that’s all.
MJ: It’s an awesome sound. Sounds really cool. Fynn tell us about the rig that you’ve got set up.
Fynn: Ya well, um, I tried out so many guitars and, like, from no-name stuff to all the good stuff that’s out there, and I always try to get like newer guitars because it’s not like that complicated and you can get them everywhere, and some of them are really cheap. But they always sound very plastic to me, like, I just didn’t like it. So what I did was try out all the old stuff, and it started out with the old Gibson my dad had.
We were hanging out in Los Angeles while we were recording the, and still writing the album, and I bought this very old Gibson ES125, which is an old cut-away and almost looks like an acoustic guitar. I think it’s like from the early sixties, and I bought it for super cheap from this awesome guitar store in the middle of nowhere. Like it was in Los Angeles in this street called Santa Nella, and this dude, he was a great dude, he was the weirdest dude ever. It was a funny story behind it. Anyway, I bought it for super super cheap, and basically that’s the whole sound of the album is that guitar, a very very cheap preamp, and through a custom made amp I made. It’s actually a Marshall amp that I put into an old Jennings, which basically is Vox combo, ya.
Fynn: Ya well the thing is on the album I really just use that, but you always have to re-create it for live, you know, because our set is very dynamic, and if you just use that setup it doesn’t come across like that, it always feels like one, it’s the same loudness, you know, the whole set. So I’ve got two of these preamps to get a one louder one, and one for the other guitar because it sounds a little different. And then I have a delay where I do funny stuff with, I got a fuzz to get it much more fuzzier, what else do I have… it’s a funny thing, it’s a handmade, like a handmade preamp too. It’s a booster, it’s called the Moon Booster from a company called Redson Effects. I wanna mention this because they’re… I just found out about these and they’re super good. I got that one in my set now. I got a Fender… ya he made it for me. That’s another thing, ya he made it for me, which is… I love when it’s custom made for someone’s stuff. I got a Fender reverb, it’s like a remake of a big old Fender reverb, with like a small pedal. And then I have another thing that’s like re-creating the roomy sound that I always have, that’s over everything. Ya it just has a little room sound to it.
Another thing I’d like to mention is for this album we forbid ourselves to listen to music for two years so we don’t get wrong influence, you know? Because it happens so fast today that you listen to something new, that’s like a new band, and you’re like oh wow that’s awesome, and you end up in the practice room sounding just like that. And to not have that we forbid each other to listen to music. So all we had was Katie Perry and Lady Gaga for like two years.
And then what happened is like, so the thing why we did it, we wanted to get the raw, raw’s always a good word, a raw sound out of it. Like, what’s us without the influence of other bands, just like from now on. And we got inspired by so many other stuff that has nothing to do with music, just being in the desert in California or stuff like that, you know. That’s why sounds like PCH Diamond happened. PCH is the Pacific Coast Highway that goes along the whole Pacific coast, and stuff like that. So that was a cool experience. I just wanted to say that.
MJ: I take it that the tour your has been going really well?
Fynn: It’s going really well, The Answer are super cool dudes, and became really close friends with them. And ya, the other band, Bad Touch too, shout out to them, ‘cos they work really hard too. So ya, it’s a cool tour.
MJ: Gentlemen, thank you very much for your time, and all the very best for the rest of the tour with The Answer.
Fynn: Well, to everybody that doesn’t know us yet here in the UK, everybody that knows us and hasn’t seen us, would be rad, we’re coming back for sure on our own tour in May!
A Norfolk five-piece who are turning heads and going places in the industry, Bad Touch blend together elements of classic, 80’s rock with blues licks to create a powerhouse of melodic rock. Listing Led Zeppelin, Black Crowes and Rival Sons amongst their influences, they are a band who love to turn up the volume, but also infuse their songs with subtlety and melody.
It bodes well for new album ‘Halfway Home’, due out at the end of April, and we got a taste of their style when we played their lead single ‘Wise Water’ on the show last week
The album has been a long time coming for Bad Touch as it’s been 5 years since their inception. Having started with cover songs, their set has evolved into their own material. Which they have taken the time to hone and mould into their own style. Patiently working on their own material before launching into a debut album, the result is truly impressive.
Bad Touch are currently supporting The Answer on their UK tour and prior to them taking the stage at Chinnery’s, Southend-On-Sea, last week, I sat down with all five members of the band and began by asking about the length of time it’s taken them to release their debut album.
MJ: ‘Half Way Home’ is your debut album. It’s been a long time coming. We played the lead single ‘Wise Water’ on the show last week and I can tell you that it went down really well with the listeners.
Stevie: I’m glad that you say your listeners like Wise Water. Yes, it has been a long time coming. Well, it was just that we all wanted to make sure that, when we got this album out, we wanted to do it right. So, you know, we wanted to make sure that people wanted it. We’d done a few UK tours, and we got our name out there. So, we thought, let’s do the album because people want it.
MJ: There’s a lot of people that have seen you fellas play. They like your music and we get requests to play Bad Touch. Seeks, how’s that sound to you with the reaction that you’re getting from the album?
Seeks: It’s lovely. It’s great that people are asking for us to play our own music. It’s fantastic. I mean I don’t know how anyone else would feel about it, but just for people wanting our music being played is the whole point we do it, you know?
MJ: Let me turn to Bailey. What is it you’re enjoying most about this album?
Bailey: I’m loving it. We spent ages writing it, recording it. And it’s now actually out there for people to listen to. That’s nice to actually hear them say that they’re enjoying it as well.
George: We sort of write each song in a different way. Like on some of them one person might have written 90% of it, but other songs you might just get a guitar riff and then we all sort of collaborated together. But, in general, it’s hugely more or less one person has the germ idea, and then we all take it away, and then we all write our own parts to it. And lyrics can be done in one night or one year, you know?
Stevie: That’s one of the things I love about being in Bad Touch the best is getting everyone else’s ideas and going, “Wow. That sounds awesome. I’d have never have thought of that.”
MJ: Rob, you’re obviously testing out the new songs on this tour?
Rob: On the set at the moment is all the new stuff from the album. There’s no sort of old tracks from the old EP. But, we’ve got a couple more experimental tracks on the album where we sort of do our thing where it goes on for a little while. They’re blues-y, slower. So, we try to keep it more upbeat with the set that we’re doing. But, obviously, we’ve got half an hour set, so we sort of want to get on there, do our thing, and then come off. So, it’s going well at the moment. The Answer guys, they sort of pick the particular tracks they like, and they’ve been really cool about it. So, it’s all going well.
MJ: And the feedback, Stevie, on this tour with The Answer has been really positive.
Stevie: Yeah. It’s lovely to have all these people saying how much they’re enjoying it, both the album and the live performances and stuff like that. I mean, but we take criticism where criticism is due just like we take credit. We’re quite aware that we’re not breaking any sort of boundaries with regards to musical experimentation. We’re quite happy doing what we do and it being feel good, rock music, you know? I think too many times people are caught up in it and the brains behind it and think, “Oh, we’ve got to be new. We’ve got to…” It’s like, if it sounds good and you enjoy playing it, then that’s all that matters. And, if people enjoy it, then even better, you know?
Stevie: Oh, that’s very kind of you. No, we definitely wanted to make sure that you say that. The thing with this album, which I’m most happy is that it sounds like us. If you came to see us and bought the album, you wouldn’t get the album home and go, “This doesn’t sound like them.” It captures us or what it is to be Bad Touch, you know?
George: In the album, we’ve tried things on the album that is different, but that’s the whole point of an album. But, it’s not like we’ve gone synthesizers, and electric drum kits, and things. It’s basically a five-piece rock band doing what they do, you know? And we did everything on the album.
MJ: Well, we’re going to leave it here because you’re off to sound check. Thanks so much for chatting with us on The Classic Rock Show. Last few words from you guys for the fans out there?
Seeks: A big thank you everyone and to your listeners for the support.
Rob: Yeah. Thanks a lot everyone. You’ve been great.
George: Yeah. Keep coming to the gigs and keep rocking!
Bailey: If you haven’t heard the album yet, we hope you enjoy it.
Stevie: Just want to say thanks for listening and, even more so, thanks for wanting us. And thanks too to The Classic Rock Show for putting us up.
Almost six years have passed since the world saw a new studio album from Metal Icons W.A.S.P. That is about to change as W.A.S.P. has signed a new worldwide record deal with Austria’s Napalm Records. W.A.S.P. will release their 15th studio album titled Golgotha this August.
“W.A.S.P. are excited to announce they have signed an exclusive recording contract with Napalm Records. We chose Napalm for their personal belief and professional commitment to our career. We’re looking forward to years of great success together starting with the release of our upcoming album Golgotha“, states W.A.S.P. front man Blackie Lawless.
Vice President of Napalm Records Thomas Caser on W.A.S.P. joining Napalm Records:
“It is a true honor to announce this signing today, a dream has come true. With their impressive career and ability to create musical masterpieces W.A.S.P have always been one of the most influential Metal bands out there since the beginning of their career. We are thrilled about the upcoming album Golgotha which will be released this summer!”
W.A.S.P. came out of the Los Angeles Metal scene in 1982 gaining notoriety for their shock rock antics. With a career spanning over 3 decades, 17 world tours, and now their 15th studio album, they are a metal band that has evolved in maturity without having lost their signature sound, unlike many of their peers from their origins. Golgotha will continue down the path that 2007’s Dominator and 2009’s Babylon started on, both in production style and theme. Six years in the making, Golgotha will undoubtedly lead the listeners on the emotionally epic undertaking that W.A.S.P. has become acclaimed for!
The Answer’s new album ‘Raise A Little Hell’, out on Napalm Records, crashed into the UK charts with their highest chart placing ever. Making number 44 in national UK Album chart, Number 1 in the Rock Chart and Number 6 in the Indie Album chart.
Featuring larger-than-life riffs, unforgettable melodies and a return to their raw bluesy roots! ‘Raise A Little Hell’ presents a collection of hard hitting anthems that point to the spirit of AC/DC and Thin Lizzy. The album is a follow up to the critically acclaimed 2013 release New Horizon and was preceded by their first single “Red”, roundly given the thumbs-up by our listeners.
“Red” was penned by Nashville writers Neil Mason (The Cadillac Three) and Tyler Bryant and was one of two previously penned songs that The Answer very much wanted to record as part of the ‘Raise A Little Hell’ album and to give their own unique sound to. The single video was directed by Darren Lee from Maverick Renegade Productions and features uniquely designed ‘Monster’ costumes created by Belfast based Christine Boyle whose design credits include Game Of Thrones and Universal’s Your Highness.
The new album, produced by Spanish producer Guillermo ‘Will’ Maya and recorded in his Madrid studio, September 2014 was also mixed by Chris Sheldon (Foo Fighters, Biffy Clyro, Garbage) in London, October 2014. Cormac Neeson from the band commented:
“We’re delighted to announce our new album ‘Raise A Little Hell’. This is a special record that reflects a return to the hard ass blues rock ‘n’ roll we hold so dear. This album truly showcases who we are and the best of The Answer in full flow. We can’t wait for you all to hear it!”
Following on from their single release “Red”, the Irish Rockers have now released a brand new lyric video for the track “Long Live The Renegades”. The band commented on the song:
“‘Long Live The Renegades’ is the opening track on our new album ‘Raise A Little Hell’. It’s a bit of a rocker and we tried a slightly different production technique on this track by keeping it very dry. The song is about just doing what you do best and having a bit of a bunker mentality. This is our fifth album and we’ve gone back to our earlier blues and roots style with what we think are harder rockin’ grooves. Hope you like it as much as we do!”
Earlier this month (March 2015), The Answer embarked on a 40 date headline UK and European club tour followed by a series of summer festivals and soon to be announced US tour plans!
We caught up with Bassist Micky Waters down at Chinnery’s, Southend-on-Sea, where they performed later that night to an audience who were sufficiently familiar enough with songs from the new album to sing along to them.
MJ: Raise A Little Hell. It’s number 1 in the UK album charts! Congratulations!
Micky: Thank you, we’re really proud of it, actually, this record to be honest is the first we’ve been in the studio without an agenda at all. We just really had a bunch of really fresh ideas, some cool riffs, some chorus ideas, and trusted in each other’s I guess ability to put the songs together on the spot. And that was the vibe. There were a couple of songs that were almost there but even they were kind of rewritten in the studio, just soaking up the atmosphere of the four of us being up in the mountains in the middle of Spain hanging out there. Just getting stuck into it, you know?
MJ: A different approach for this album, then?
Micky: Yeah, it really is. Honestly we really don’t care anymore. We’re just doing what we want to do. In the past we had been told, “You’re too Led Zeppelin or you don’t have a song to get on mainstream radio”. We were told all these things. We listened to all those things. This time around we’re like you know what? We’re all in our early 30s now, we don’t really care, just going to go in the studio and do exactly the kind of record we can get off on. And that’s the result of it.
MJ: This is your fifth album. It must be very pleasing for you guys to get the album sounding in such a way that everybody throughout the band is pleased with it.
Micky: Yeah this is probably the first one that hasn’t been dented by being passed along, demo a song, then listened to it, and re-demoed with it, tweak it, tweak things, add things, take things away, this one everything that you hear is fresh. The first idea that was written that was put down, that’s exactly what it is. I don’t think there’s anything wrong with it, we’re proud of every record we’ve ever done. We put our heart and soul and a lot of work into every single one of them, but this one in particular is a lot freer. There’s a lot more expression on it I think.
MJ: And it’s come easier this time around?
Micky: Yeah it came so quick. Was only I would say a month, two months, we finished tour last April/May time, and basically took a month to chill out, and then stuck it in and we were finished by September.
MJ: And working with Will Mayer, you’ve known each other for quite some time now.
Micky: He’s a very old friend. Again he knows us guys as musicians and personally better. He’s just very good at getting a performance out of us. And creates an atmosphere that is funny and vibey. He’s a very funny guy. He keeps us going and laughing. You know? He’s very creative. We were making Talk Boxes and setting up a strange kind of, setting up the Ampeg flight case and putting a beater on it to get a sound. Pots and pans and everything….trying everything and recording it to see what would happen. We’ve never done that before. So lots of creative things going on all the time.
MJ: “Red” has been very popular on the show.
Micky: Going down great every night. Not that it surprised me, but it’s actually going down a lot better than I thought it would. Last night, in Liverpool, Cormac was in the front row. It was St Patrick’s Day, and he handed round some whiskey and little glasses to the front row. And we started playing that song. Had a bit of a groove going. The whole place was going off. It was really good fun!
MJ: Tell us about you’ve been evolving through this tour.
Micky: Again, this tour has been really…we just want to refresh everything. We believe we’ve got strong material now that we can replace some of the older songs and create a different show for our fans to come to and I have a chat with our fans every night and actually thanking me for replacing and refreshing the set. It’s a different vibe, you know?
Micky: Great bunch of lads. The Picturebooks have got a really interesting sound going on. Really interesting set up. The Bad Touch guys really have their stuff together. More than most bands that have played with us before. They’re really tight, really good musicians. Pleasure to have both of them on board, to be honest.
MJ: Other than rounding off this rather extensive tour, what else have The Answer got in store for us in 2015?
Micky: This is really the warm up, we finish the UK, then we go to Europe until mid-May. And then we do a couple of festivals, couple of really good ones including Hellfest, in France, which is in my opinion the best festival in Europe. Pretty awesome lineup there. Really excited about that. Airborne going right after us and we know those boys pretty well. Going to be a good laugh. We’ll all be beer drinking at dawn that day. And then we’re off to the States for six weeks to tour. Some shows with Whitesnake and a lot of shows by ourselves. So it’s, you know, that will take us up to August, then after that who knows. I kind of take it one day at a time to be honest.
MJ: Well, Mickey thanks ever so much for sitting down with us today. You’re going to be running off very shortly for a sound check. Last words for the fans out there?
Micky: Thank you very much for supporting us. If you haven’t gotten it already, go get our “Number 1 Rock album” Raise a Little Hell…stick it on. turn it on really loud and enjoy.
MJ: Doesn’t that sound good saying “Number 1 Rock album”?
Micky: (Laughs) It does, actually. Cheers!
This week has come around so quickly. More great music is in store, however, including your requests as well as a sprinkling of album tracks from LPs released this week back in the day from the likes of Def Leppard, Motley Crue, Extreme, Pantera, Europe, Poison, Kiss, Aerosmith and Coverdale Page.
We’ve also got the new single from Motor Sister who are fast becoming my fave band of Q1 2015, along with a homage to three musicians who passed away this past week…Mike Porcaro (Toto), Bruce Crump (Molly Hatchet) and Andy Fraser (Free).
Join the listening rock party from 7pm GMT www.theclassicrockshow.co.uk